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| Режиссер: | Michelangelo Antonioni |
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| В ролях: | Vanessa Redgrave - Джейн Sarah Miles - Патрисия David Hemmings - фотограф John Castle - художник Jane Birkin - блондинка Gillian Hills - брюнетка Peter Bowles - Рон Verushka - модель Julian Chagrin - клоун Claude Chagrin - клоун |
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| Литературная основа: | Julio Cortázar "Las Babas del Diablo" |
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| Автор сюжета: | Michelangelo Antonioni |
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| Авторы сценария: | Michelangelo Antonioni Tonino Guerra Edward Bond |
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| Оператор: | Carlo Di Palma |
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| Музыка: |
Herbert Hancock |
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| Художник: | Assheton Gorton |
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| Продюсер: |
Carlo Ponti |
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| Производство: |
Carlo Ponti |
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| Призы и номинации: Лучшая режиссура (номинация) - 1966, Американская киноакадемия Лучший оригинальный сценарий (номинация) - 1966, Американская киноакадемия Лучшая режиссура - 1966, Нью-Йоркский кружок кинокритиков Лучший фильм - 1966, Нью-Йоркский кружок кинокритиков Лучшая режиссура - 1967, Национальное общество кинокритиков США Участие в конкурсе - 1967, Каннский МКФ Золотая пальмовая ветвь - 1967, Каннский МКФ Приз критики лучшему иностранному фильму - 1968, Французский синдикат кинокритиков Серебряная лента за лучшую режиссуру иностранного фильма - 1968, Итальянский национальный синдикат киножурналистов Лучший британский фильм - 1968, Киноакадемия Великобритании Лучшая работа оператора в цветном британском фильме (номинация) - 1968, Киноакадемия Великобритании |
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Лотман, Юрий Михайлович. Семиотика кино и проблемы киноэстетики. Таллин: Ээсти Рамат, 1973. Bittini, Patrizia. Film Is Stranger than Fiction: From Cortázar's "Las Babas del Diablo" to Antonioni's Blow-Up // RLA: Romance Languages Annual, vol. 7. 1995. pp. 199 - 203. Cole, Douglas. Antonioni's Blow-Up and Pirandello's Shoot! // Literature/ Film Quarterly, vol. 17 No. 2. 1989. pp. 129 - 133. D'Lugo, Marvin. Signs and Meaning in "Blow-Up": From Cortazar to Antonioni // Literature/ Film Quarterly, vol. 3 No. 1. 1975. p. 23; vol. 5 No 1. 1977. p. 66. Eberwein, Robert T. The Master Text of Blow-Up // Close Viewings: An Anthology of New Film Criticism / ed. by Peter Lehman. Tallahassee: Florida State University Press, 1990. pp. 262 - 281. Elson, Brigid. Crucial Devices: The Role of the Media in Orwell, Waugh, Hitchcock and Antonioni // Antigonish Review, vol. 102 - 103. 1995. pp. 133 - 4. Francis, Richard Lee. Transcending Metaphor: Antonioni's Blow-Up // Literature/ Film Quarterly, vol. 13 No. 1. 1985. pp. 42 - 49. Goldstein, Melvin. Antonioni's "Blow-Up": From Crib to Camera // American Imago, vol. 32 No. 3. 1975. p. 240. Goldstein, Melvin. The Negative Symbolic Environment in Antonioni's "Blow-Up"// Journal of Aesthetic Education, vol. 8 No. 1. 1974. p. 27. Goldstein, Richard. The Screw-Up // Village Voice 29 Dec. 1966. p. 21. Grossvogel, David. Blow-Up: the Forms of an Aesthetic Itinerary // Diacritics 3. 1972. pp. 49 - 51.Harlos, Christopher. "Swinging London" and the Jazz Soundtrack: Alfie and Blow Up // University of Hartford Studies in Literature: A Journal of Interdisciplinary Criticism, vol. 21 No. 3. 1989. pp. 25 - 38. Harris, Thomas. Rear Window and Blow-Up: Hitchcock's Straightforwardness vs. Antonioni's Ambiguity // Literature/ Film Quarterly, vol. 15 No. 1. 1987. pp. 60 - 63. Hutchings, Peter J. Modern Forensics: Photography and Other Suspects // Cardozo Studies in Law and Literature, vol. 9 No. 2. 1997. pp. 229 - 243. Isaacs, Neil D. The Triumph of Artifice: Antonioni's Blow-Up // Modern European Filmmakers and the Art of Adaptation / ed. by Andrew Horton and Joan Magretta. N.Y.: F. Unger Pub. Co., 1981. pp. 130 - 144. (series: Ungar film library) Kauffmann, Stanley. A Year with Blow-Up: Some Notes // Film 67. 1967. pp. 274 - 281. Kester, Gary. "Blow-Up": Antonioni's and Cortázar's // Latin American Literary Review 9. 1979. pp. 7 - 13. Kinder, Marsha. Antonioni in Transit // Sight and Sound 36. 1967. pp. 132 - 137. Knight, Arthur. Three Encounters with Blow-Up // Film Heritage 2. 1967. pp. 3 - 6. Koppen, Erwin. The Image in Film: On Cortázar's "Las babas del diablo" and Antonioni's Blow-Up // The Yearbook of Comparative Literature and General Literature 33. 1984. pp. 47 - 49. Lev, Peter. Blow-Up, Swinging London, and the Film Generation // Literature/ Film Quarterly, vol. 17 No. 2. 1989. pp. 134 - 137. Linderman, Deborah. Narrative Surplus: The "Blow-Up" as Metarepresentation and Ideology // The American Journal of Semiotics, vol. 3 No. 4. 1985. pp. 99 - 118. Ojam, Alberto E. Antonioni / Cortazar: Blow-up. Edicion al cuidado de Alberto E. Ojam. Buenos Aires, Cine Club Nucleo, 1968. Palmer, W.J. Blow-up: The Game with No Balls // Literature/ Film Quarterly, vol. 7 No. 4. 1979. pp. 314 - 321. Peavler, Terry J. The Mimetic Paradox in Contemporary Narratives: Cortázar and Antonioni // West Virginia University Philological Papers, vol. 30. 1984. pp. 97 - 101. Peavler, Terry J. "Blow-Up": A Reconsideration of Antonioni's Infidelity to Cortazar // PMLA: Publications of the Modern Language Association, vol. 94 No. 5. 1979. p. 887. Pressler, Michael. Antonioni's Blow-up: Myth, Order, and the Photographic Image // Post Script, vol. 5 No. 1. 1985. pp. 42 - 59. Rubey, Dan. Reading the Surface of the World: Photography and Perception in Hawthorne's House of the Seven Gables, Teshigahara's Woman in the Dunes, and Antonioni's Blow-Up // Selecta: Journal of the Pacific Northwest Council on Foreign Languages, 1986, No. 7. pp. 123 - 130. Rudman, Mark. The Night: On Michelangelo Antonioni // Raritan: A Quarterly Review, vol. 14 No. 2. 1994. pp. 83 - 108. Samuels, Charles Thomas. Michelangelo Antonioni // C.T. Samuels. Encountering Directors. N.Y., 1972. pp. 15 - 32. Samuels, Charles Thomas. The Blow-Up: Sorting Things Out // The American Scholar (Winter 1967 - 68). pp. 120 - 131. Snowden, Lynn. Through the Loupe: At last the answer: Which photographer inspired Antonioni's "Blow-Up"? // American Photographer, vol. 19 No. 6. 1987. p. 16. Turner, Dennis. The Subject of The Conversation // Cinema Journal, vol. 24 No. 4. 1985. pp. 4 - 22. Wagstaff, Chris. Sexual Noise // Sight and Sound 96.1982 May. pp. 32 - 35. Wendorf, Richard. Antonioni's "Blow-Up": Implicated Artists and Unintentional Art // Journal of Aesthetic Education, vol. 16 No. 1. 1982. p. 57. Williams, Megan. A surface of forgetting: the object of history in Michelangelo Antonioni's Blowup // Quarterly Review of Film and Video, vol. 17 No. 3. 2000. pp. 245 - 259. |
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Ванесса Редгрейв Хулио Кортасар Ю М Лотман |
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